“Manila’s Finest” director Raymond Red is all too aware that in cinema, compromises are inevitable. But to the pioneering figure in Filipino alternative cinema, they are also a welcome challenge. This Friday on The Rolling Stone Philippines Interview, the filmmaker talks about the realities of filmmaking in the Philippines. “Compromise is not necessarily negative,” Red says. For him, limitations often become part of the creative process rather than a setback. From speaking openly about the scarc
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“Manila’s Finest” director Raymond Red is all too aware that in cinema, compromises are inevitable. But to the pioneering figure in Filipino alternative cinema, they are also a welcome challenge. This Friday on The Rolling Stone Philippines Interview, the filmmaker talks about the realities of filmmaking in the Philippines. “Compromise is not necessarily negative,” Red says. For him, limitations often become part of the creative process rather than a setback. From speaking openly about the scarc
1998 觀看人次7 個月前
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